FIVE lovely lads who all happen to be as cute as they are exceedingly good singers – there’s not a lot more Bristol’s Colston Hall audience could have wanted for on Tuesday night.

But The Overtones gave them everything they have with a repertoire of their radio hits, a medley of movie songs from their latest album and some special one-off covers just for the tour.

The charming doo wopping fivesome – Timmy Matley, Lachie Chapman, Mark Franks, Darren Everest and Bristol boy Mike Crawshaw - were up for a party as they performed movie classic after classic each having been given the Tones’ barbershop treatment.

And the excited crowd of men, women, grandparents and children followed suit as they were up on their feet from the start and danced the night away to the boys’ unique versions of Pretty Woman, Shake a Tail Feather, Hit the Road Jack and Saturday Night at the Movies, the title track from their current album.

All donning dapper dinner jackets and sporting more slick dance moves than we’ve ever seen, including their signature microphone lean, the boys’ voices still managed to shine through. Their huge range, from lead singer Timmy’s high notes and Darren’s falsetto to Lachie’s almost unnaturally low bass, is harmonised in perfect unity with every number having been meticulously rearranged to suit their voices.

A sublime smooth rendition of the timeless classic Moon River was a real showstopper and a walk round the audience to It Had to Be You caused quite a stir among some red-faced ladies in the audience.

A less obvious choice was the Bare Necessities, from Disney’s Jungle Book, but this funky fivesome made it fun and fresh proving they can sing just about anything.

Keeping up an Overtones tradition, the boys reworked a recent pop hit, this time turning Daft Punk’s huge 2013 hit Get Lucky into a barbershop number which had everyone singing along and dancing like they were in a nightclub on a Friday night.

As well as the movie soundtrack sounds, we were treated to a special James Bond-style version of the band’s first single Gambling Man and an a capella version of Longest Time, which they were practising whilst painting a shop in Oxford Street when the group was discovered by a talent scout.

Their self-penned new single Superstar was raucously received by The Overtones’ army of loyal fans and an encore featuring Dirty Dancing’s Do You Love Me left everyone wanting more from these very gifted young singers who have found their niche and are doing extremely well in it.